Artists talking (around) painting.
When TR Ericsson visited Brussels last year for his exhibition “Industrial Poems - Poèmes Industriels,” he spent several hours in Sean Crossley’s Molenbeek studio. A few weeks prior to Sean’s first exhibition in the gallery, the two held a second studio visit from afar. Instead of writing about Sean, his practice or paintings, it felt more appropriate to let Ericsson’s email act as an introduction to “Recreational Painting.”
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