In Ahmed’s series of unique sculptures, water infused with Human Growth hormone (a common anti-aging medication) runs through the sculpture, evoking ancient mythology to understand our contemporary drive to defy ageing caused by oxidation. Its mirrored surface, reminiscent of the myth of Narcissus, invites us to reconsider the valuation of our bodies over the bodies of water and the life it contains. The association between the flow of fluids and the flow of time has been forged since antiquity and the regulation of the flow of water was one of the first ways of measuring the passage of time. Here, the water drops appear suspended in the air due to the stroboscopic effect, as eight asynchronous clocks create order and disorder, disrupting the mirror’s surface. This contradiction in cause-and-effect is analogous to the lifesaving necessity of pharmaceuticals and the imbalances they create in the natural environment.

With its octagonal base and 8 clocks, this particular fountain refers to the tower of the winds, an ancient Greek building thought to be the world’s first weather station which housed a water clock. Hence marrying the artist’s fascination for wind, water, and time.

This work was originally commissioned by GLUON with the support of the European STARTS programme, Pollet Water Group, Pharma.be, Inopsys, VITO Vlakwa, Surplace & Capture-UGent.