UltraChrome inkjet print on Hahnemuhle smooth photo rag paper, face-mounted to Diasec
80 x 65 cm
31 1/2 x 25 5/8 in (without frame)
Edition of 5 plus 1 AP
Copyright The Artist & Harlan Levey Projects
Many of Bucharest’s eclectic buildings – some more run-down than others – were destroyed or repurposed in the wave of liberalization that followed the revolution. In his series ‘Waiting for...
Many of Bucharest’s eclectic buildings – some more run-down than others – were destroyed or repurposed in the wave of liberalization that followed the revolution. In his series ‘Waiting for the Drama’ (2010), Michele Bressan captures various cinemas throughout the country prior to their demolition or transformation into bingo halls, (strip)clubs, parking spaces or shopping centers. Bressan does not take pictures of the projection screen, but instead turns his camera to the deserted room. The empty seats, outlined in the semi-darkness, and the eeriness of the scene, evokes a memento mori or last tribute to cinema. When Bressan started this series in 2010, out of the 290 state cinemas in Romania only 29 were left. By 2020, none of them were used as a cinema anymore.